Butterfly Effect Magnus Lindgren & John Beasley

• 1Butterfly Effect06:06
• 2Echoes of the Desert04:06
• 3Shifting Dunes05:33
• 4Here and Now05:14
• 5Celestial04:47
• 6Reverie03:18
• 7Come Together03:27
• 8Infinity03:36
• 9Heartbeat04:39
• 10Ps and Qs06:30
• 11Fyra04:08
• 12Galaha03:58
• Total Runtime55:22

Info for Butterfly Effect

According to the "Butterfly Effect", tiny disturbances at one point on the earth’s surface, even the flapping of a butterfly's wings, can trigger huge changes in distant places. For saxophonist/ flautist/ clarinetist Magnus Lindgren and pianist John Beasley, the point of departure here is the smallest possible format for musical interaction, the duo. And it is a starting-point with enchanting consequences.

Eleven original compositions – plus an arrangement of the Beatles classic "Come Together" – create musical worlds in microcosm for Lindgren and Beasley to explore together. Lindgren and Beasley’s lively musical minds and vast combined experience are well-known: both musicians are respected and admired worldwide as important, sought-after arrangers in jazz and popular music. Their first album together, "Bird Lives" was garlanded with three GRAMMY nominations and one win. Here, they have accelerated their art, creating what might be called arrangements in real-time.

As with "Bird Lives", the appeal of "Butterfly Effect" lies in the fact that the two protagonists have such different musical backgrounds. Magnus Lindgren is from Sweden, and draws from a deep well of European classical music, but also the freedom of jazz and the emotionality of soul and pop. John Beasley is American, and combines a powerful imagination which shines through in his own recordings influenced by his experience of working with Miles Davis, Freddie Hubbard, Steely Dan, Dianne Reeves, his film and TV soundtracks, together with an imposing catalogue of arrangements and compositions for big band.

"Butterfly Effect" gathers these influences together to create a particularly fine distillate, and one which reveals a completely different side of Lindgren and Beasley from their work with large orchestras and big bands. What this recording delivers in abundance – and what the listener will also inevitably experience as each of these performances takes wing – is the spontaneity and alchemy of their interaction.

Magnus Lindgren, flute, tenor saxophone, clarinet
John Beasley, piano

Magnus Lindgren
Lindgren’s constant search for new musical paths, combined with an extraordinary talent, has given him a position in Swedish musical life that is received with respect and fascination all over the world.

Winner of several awards such as Grammis, Swedish Radio Award for Swedish Jazz Album of the Year, Orkesterjournal Gold Record, etc. and the latest at the 65th GRAMMY Awards in February 2023, Lindgren together with John Beasly & The SWR Big Band won the GRAMMY for Best Arrangement, Instrumental or A Cappella, for „Scrapple From The Apple“, from the album Bird Lives.

Magnus‘ ability to express himself on tenor saxophone, clarinet or flute bears the stamp of a true master. As a composer, he has great potential to materialize his own creative impulses. He dresses them in a melodic costume that fits perfectly into the stylistic environment available to him at the time.

But perhaps where Magnus Lindgren shines the most is in his feelings when arranging music. Greatness is in the way he assembles timbres, rhythmic figures, harmonic sequences.

Magnus is constantly working to expand his musical framework, whether through small jazz combinations, big bands, choirs with instrumental soloists, the integration of classical orchestra and jazz ensemble, Swedish folk, heavy funk rhythms, Brazilian samba or traditional African music. Structures and genres always acquire new dimensions in Magnus‘ careful hands.

Rooted in the post-bebop of modern jazz, there are influences from all corners of the world, which is reflected in Lindgren’s compositions from different decades, most of which the group performs along with covers of the treasure trove of modern jazz songs.

The desire for groove mixed with extroverted energy, as well as a minimalist, modestly challenging and playful interplay, is the group’s motto.

“Improvised music is a bridge between people. Through music we can meet people in a universal language where differences disappear and we all meet as one. Big Bands are to Jazz what the Symphony Orchestra is to Classical music. This tradition of combining large ensembles with improvisation remains something that I find most inspiring in music. This inspiration has led to the curiosity to collaborate with musicians from other backgrounds, who may have different preferences to mine.” Magnus Lindgren.

Being the 33rd year of his professional life, Magnus Lindgren is exploring the International arena even more, and is hoping for more and new collaborations and expanding his own borders.

John Beasley
is a versatile pianist, composer, arranger who began his career in his 20s backing jazz icons Miles Davis and Freddie Hubbard. Since then, Beasley has performed with a wide range of artists, including Dianne Reeves, Christian McBride, John Patitucci, Chaka Khan, Carly Simon, to name a few. He was music director for international tours with Steely Dan, AR Rahman (Slumdog Millionaire) and Queen Latifah and co-MD for Chucho Valdes La Creation tour.

As a recording artist, Beasley has over a dozen albums and has earned 11 GRAMMY nominations. Beasley’s solo project, MONK’estra, is a trilogy of albums which has earned six consecutive GRAMMY nominations and a win. As co-producer/arranger and pianist on “Bird Lives”, a re-imagination of Charlie Parker’s music with Stuttgart’s SWR Big Band and strings with Artistic Director, Magnus Lindgren, Beasley earned a 2023 GRAMMY for arrangement of “Scrapple from the Apple” and 3 nominations. He ventured into a Fado-jazz project “Close to Me” with Portuguese singer Maria Mendes writing arrangements and conducting the Metropole Orkest, which earned him a first Latin Grammy nomination. This album also won a Dutch Edison award for “Best Jazz Vocal” album in 2021. Mendes and Beasley followed this success with a new recording “Suadade, Colour of Love” album.

When UNESCO declared April 30 as International Jazz Day in 2011, John Beasley was appointed Music Director for its annual global gala concerts, which are hosted by the Herbie Hancock Jazz Institute. Since 2012, Beasley helmed concerts in Paris, Istanbul, Osaka, St Petersburg, Havana, Washington, DC, Melbourne, New Orleans, New York, Los Angeles and online, which PBS TV have broadcast. The 2016 Jazz at the White House gala hosted by President Barack Obama and First Lady Michelle Obama earned Beasley an Emmy nomination for Best Musical Direction (ABC TV).

Beasley’s work as a composer-arranger-pianist extends beyond jazz with many credits in TV and film, particularly with 15-time Oscar-nominee film composer Thomas Newman in the upcoming Elemental (Pixar June 2023) and blockbusters 1917, James Bond’s Spectre and Skyfall, Finding Dory, He Named Me Malala, Shawshank Redemption. Newman invited John to orchestrate & conduct his big band MONK’estra in Steven Soderbergh’s Let them all Talk with Meryl Streep. Beasley started composing for TV at the age of 24 working for Paramount, Disney and other studios on Star Trek: The Next Generation, Cheers, Fame, to name a few. He was handpicked to be Music Director for TV specials and singing competitions, including Sports Illustrated 50 Years of Beautiful, Duets with John Legend, Sing Your Face Off, The Search for the Next Pussycat Girl. In American Idol’s 4th season, Beasley was Associate MD ushering Carrie Underwood to victory. He then spent a decade working as Lead Arranger for the American Idol and The Tonight Show with Rickey Minor as MD.

Over the recent five years, Beasley’s output has been prodigious whether writing, recording or performing with his MONK’estra big band/Septet/Quartet; managing steady projects with 3 to 5 European big bands a year; and venturing into symphonic jazz after winning JAM Music Lab’s international composition competition with his “Simplexity” piece performed by the renowned Vienna Radio Symphony Orchestra. In 2021/2022, Chucho Valdes called to ask him to arrange part of his La Creation suite and tour as co-MD and keyboardist. Also, Beasley can be found touring world stages with Dianne Reeves; his jazz-fusion “El Trio” band with Horacio “El Negro” Hernandez and Jose Gola or writing and producing albums for various artists.

As an educator, Beasley is committed to nurturing the next generation of musicians. He conducts master classes at music schools around the world. His bands often are intergenerational. He has been fortunate to write commissions for Los Angeles Philharmonic’s Youth Orchestra Los Angeles and Carnegie Hall National Youth Orchestra.

Booklet for Butterfly Effect