De Arauxo: Libro de tientos Bernard Foccroulle & InAlto

• Francisco Correa de Arauxo (1584 - 1654):
• 1Arauxo: Tiento de sexto tono, FO 2204:36
• 2Arauxo: Tiento de medio registro de tiple de quarto tono, FO 3204:34
• 3Arauxo: Tiento de setimo tono, FO 706:20
• 4Arauxo: Tiento de medio registro de baxon de noveno tono, FO 4005:28
• 5Arauxo: Tiento de medio registro de tiple de octavo tono, FO 4704:59
• Thomas Crecquillon (1505 - 1557):
• 6Crecquillon: Par tous moyens01:35
• Francisco Correa de Arauxo:
• 7Arauxo: Tiento de quinto tono, FO 504:31
• 8Arauxo: Tiento de quarto tono, FO 1904:30
• Philippe Verdelot (1485 - 1552):
• 9Verdelot: Ultimi miei sospiri03:02
• Francisco Correa de Arauxo:
• 10Arauxo: Tiento de medio registro de baxon de primero tono, FO 3503:31
• 11Arauxo: Tiento de medio registro de tiple de decimo tono, FO 3604:21
• 12Arauxo: Tiento de sexto tono, FO 2104:03
• 13Arauxo: Tiento de quarto tono, FO 1704:05
• 14Arauxo: Tiento de medio registro de baxon de primero tono, FO 3404:21
• 15Arauxo: Tiento de medio registro de tiple de segundo tono, FO 5908:51
• Thomas Crecquillon:
• 16Crecquillon: Magna et mirabilia02:17
• Francisco Correa de Arauxo:
• 17Arauxo: La cancion de Tomas Crequilion Gaybergier03:57
• 18Arauxo: Tiento de medio registro de dos tiples de segundo tono, FO 5305:34
• 19Arauxo: Tiento de tiple de septimo tono, FO 2505:01
• 20Arauxo: Tiento de primero tono, FO 6208:55
• Nicolas Gombert (1495 - 1556):
• 21Gombert: O Gloriosa Dei Genitrix05:59
• Francisco Correa de Arauxo:
• 22Arauxo: Tiento de quarto tono, FO 1804:55
• 23Arauxo: Tiento de medio registro de tiple de sexto tono, FO 4405:23
• Nicolas Gombert:
• 24Gombert: Mon Seul à 702:35
• Francisco Correa de Arauxo:
• 25Arauxo: Tiento de baxon de septimo, FO 3304:33
• 26Arauxo: Tiento de sexto tono, FO 605:12
• 27Arauxo: Tiento de medio registro de baxon de septimo tono, FO 3105:07
• 28Arauxo: Tiento de medio registro de tiple de septimo tono, FO 2604:46
• 29Arauxo: Tiento de medio registro de dos baxones de quarto tono, FO 5605:32
• 30Arauxo: Tiento de sexto tono, sobre la Batalla de Morales, FO 2306:54
• 31Arauxo: Canto Llano de la Inmaculada Concepcion de la Virgen Maria Señora nuestra04:46
• 32Arauxo: Tiento de dos tiples de septimo tono, FO 5405:39
• Josquin Desprez (1450 - 1521):
• 33Desprez: Ave Maria03:39
• Alonso Lobo (1555 - 1617):
• 34Lobo: Beata Dei Genitrix02:03
• Francisco Correa de Arauxo:
• 35Arauxo: Tiento de quarto tono, FO 405:52
• Pierre de La Rue (1460 - 1518):
• 36Rue: Missa Ave Maria: Sanctus08:44
• Francisco Correa de Arauxo:
• 37Arauxo: Tres glosas sobre el canto llano de la Immaculada Concepcion03:19
• 38Arauxo: Tiento de noveno tono, FO 907:15
• Francesco Rognoni (1570 - 1626):
• 39Rognoni: Susanna d’Orlando05:46
• Francisco Correa de Arauxo:
• 40Arauxo: Tiento de baxon de dezimo tono, FO 5104:27
• Francisco Guerrero (1528 - 1599):
• 41Guerrero: Pange Lingua07:12
• Francisco Correa de Arauxo:
• 42Arauxo: Tiento de dos tiples de segundo tono, FO 5305:48
• 43Arauxo: Prosa del Santissimo Sacramento06:03
• 44Arauxo: Tiento y Discurso 2 de segundo tono05:54
• 45Arauxo: Tiento de tiple de quarto tono, FO 3804:39
• 46Arauxo: Tiento de medio registro de baxon de noveno tono, FO 3704:09
• 47Arauxo: Tiento de quarto tono, a modo de cancion, FO 1604:31
• Clemens Non Papa (1510 - 1555):
• 48Papa: Cancion01:47
• Francisco Correa de Arauxo:
• 49Arauxo: Tiento de medio registro de tiple de septimo tono, FO 2904:46
• 50Arauxo: Tiento de quarto tono, FO 1504:21
• 51Arauxo: Tiento de primero tono, FO 1404:12
• 52Arauxo: Tiento de tiple de doceno tono, FO 4205:23
• 53Arauxo: Tiento de baxon de duodecimo tono, FO 4904:38
• Nicolas Gombert:
• 54Gombert: Ayme qui voldra03:56
• Francisco Correa de Arauxo:
• 55Arauxo: Tiento de medio registro de baxon de segundo tono, FO 6006:41
• 56Arauxo: Tiento a cinco de primero tono, FO 5207:55
• Total Runtime04:38:52

Info for De Arauxo: Libro de tientos

The music of Francisco Correa de Arauxo, still regrettably neglected, constitutes a peak of organ literature in Spain and an exceptional bridge between the Renaissance and the Baroque. His Facultad Orgánica (1626) is both a treatise on the performance of organ music and a collection of sixty-nine pieces of outstanding quality. Three albums will give the most complete picture possible of his output, played by Bernard Foccroulle on historic organs in Andalusia and Castile. Singers and musicians from the InAlto ensemble will perform pieces by Correa alongside some of the major composers he mentions in his preface, including Josquin, Cabezón, Gombert and La Rue.

Bernard Foccrroulle, organ
InAlto
Lambert Colson, direction

Bernard Foccroulle
was born in Liège (Belgium) in 1953. He began his international career as an organist in the mid-70s, playing a wide range of repertoire from Renaissance to contemporary music. He has performed dozens of world premieres of works by Philippe Boesmans, Brian Ferneyhough, Betsy Jolas, Xavier Darasse, Jonathan Harvey and Pascal Dusapin, among others. In the 1980s, he was a member of the Ricercar Consort, an ensemble devoted mainly to German baroque music. Since then, he has made his name as an organist as well as a composer and artistic director of major musical institutions.

Bernard Foccroulle’s discography as a soloist includes more than forty CDs. He has won various awards, including a Diapason d’Or for his recording of Dietrich Buxtehude’s complete organ works for the Ricercar label, and for the complete organ works of Johann Sebastian Bach, which he recorded on beautifully preserved historic instruments. In 2014 he released a recording of the complete works of Matthias Weckmann on Ricercar and an album of his own organ works on Aeon.

As a soloist, Bernard Foccroulle regularly appears worldwide at the major concert halls of Tokyo, Seoul, New York, Sydney, Madrid, Torino, Oslo, Brussels, Paris, Luxembourg, Salzburg, Cologne, and Hamburg. In 2016, he inaugurated the new organ of the Paris Philharmonie together with other prominent organists.

In addition to solo organ recitals, he regularly plays with cornetto players such as Jean Tubéry and Lambert Colson, as well as with singers such as Palestinian singer and ‘Ud player Moneim Adwan. Another important aspect of Bernard Foccroulle’s work is the combination of music with other art forms, for example his collaboration with choreographers Jan Fabre (Preparatio mortis) and Salva Sanchis. One of his most outstanding current projects is Darkness and Light, in collaboration with Australian video artist Lynette Wallworth.

While continuing his career as organist, he became director of the Brussels opera house La Monnaie in 1992, holding this position until 2007. In 1993, he founded the "Culture and Democracy" association, which seeks to broaden participation in cultural life. From 2007 to 2018 he was Artistic Director of the Festival of Aix-en-Provence. In 2017, he received the Leadership Award at the International Opera Awards in London.

As composer, Bernard Foccroulle has written works for soprano and orchestra (Am Rande der Nacht after Rilke), for baritone and chamber music ensemble (Due after De Luca…), for soprano, baritone and chamber music ensemble (E vidi quattro stelle after Dante’s Purgatorio), soprano and piano (Quatre mélodies d’après Verlaine). Zauberland, a song cycle for soprano and piano based on poems by Martin Crimp, will premiere in April 2019 at the Théâtre des Bouffes du Nord in Paris under the direction of Katie Mitchell. He has also composed a cycle of pieces for historic organs (CD AEON, Diapason d’Or 2016).

Bernard Foccroulle is the author of La naissance de l'individu dans l 'art (Grasset, 2003), written in collaboration with Robert Legros and Tzvetan Todorov. He has also published two other books, which are based on interviews: Entre passion et résistance (Labor, 2005) and Faire vivre l'opéra, un art qui donne sens au monde (Actes Sud, 2018).

He is Doctor Honoris Causa of Montréal University and Aix-Marseille Université, and has been Professor of Organ at the Conservatoire Royal de Musique in Brussels since 2010.

Booklet for De Arauxo: Libro de tientos