Unreal Unearth Hozier

• 1De Selby (Part 1)03:39
• 2De Selby (Part 2)03:47
• 3First Time03:54
• 4Francesca04:32
• 5I, Carrion (Icarian)03:15
• 6Eat Your Young04:05
• 7Damage Gets Done04:27
• 8Who We Are04:09
• 9Son of Nyx03:21
• 10All Things End03:37
• 11To Someone From A Warm Climate (Uiscefhuaraithe)04:05
• 12Butchered Tongue02:31
• 13Anything But03:42
• 14Abstract (Psychopomp)04:03
• 15Unknown / Nth04:40
• 16First Light04:51
• Total Runtime01:02:38

Info for Unreal Unearth

Unreal Unearth is the incredible third album by Hozier. The peerless singer-songwriter recorded this remarkable record with a stellar cast of producers including Bekon (Kendrick Lamar, Drake), Jennifer Decilveo (Miley Cyrus, Bat For Lashes), and Jeff Gitelman (The Weeknd, H.E.R.). The sounds, style and influences throughout the record range from folk, to rock, to blues, to soul, to anthemic pop, and all that’s in between.

The new album follows the band’s New Age Norms trilogy, which was released between 2019 and 2021.

“This album is where I’ve most felt like I was the executive producer of everything,” said frontman Nathan Willett in a statement. “The band started out with four guys who have very specific tastes and styles, and now it’s mostly me making the records in a way I love and have always envisioned. The sound of Cold War Kids has always been there, and I wanted this record to be the ideal, best version of all those things we’ve always been.”

Irish singer-songwriter and multi-instrumentalist Hozier rose to global attention in 2013 when his moody and soulful rock single "Take Me to Church" became a viral success. The song catapulted him into a major-label contract for his eponymous debut, platinum certifications in 11 countries, and a GRAMMY® nomination for Song of the Year in 2015. After several years of touring and promotion, he returned with the 2018 EP Nina Cried Power and his second full-length, Wasteland, Baby!, which hit number one in America and Ireland upon its release in 2019.

Hozier

Please Note: We offer this album in its native sampling rate of 48 kHz, 24-bit. The provided 96 kHz version was up-sampled and offers no audible value!

Andrew Hozier-Byrne
Born on St. Patrick's Day and hailing from County Wicklow, Hozier was raised on the building blocks of popular music: rhythm and blues, soul, jazz and the deep dark stuff stretching from Chicago to the Delta. He joined his first band when he was 15 years old, fronting a soul band with some older heads. Taught himself to play guitar and piano, and went to Trinity College to study music. Whilst there, he bagged a seat on the flight deck of the symphonic B-52 that is the Trinity Orchestra, fronting their missions into the world of classic rock.

However, four years looked like a long stretch, particularly when the goal was to write, record and perform his own music; so Hozier dropped out to concentrate his talents on the creative process full time. He tried out with a few different producers in various studios, experimented with genres; but never felt happy with the results. Home is where the art is, and a simple studio, set up in the attic proved to be the crucible where Hozier would forge a musical identity he could call his own. A place where Stevie Wonder and Billie Holiday are revered alongside James Joyce and Oscar Wilde.

He says: “Listen to any song, from any era; and you're looking through a keyhole into the artist's world as seen through their eyes. Art is, in it's simplest form, the reproduction of the world around us. All artists reproduce their vision of the world, and in doing so create a document that reflects the times they live in”. Which brings us back to the Twenty First Century Blues, and Hozier's unique, poetic evocations.

Hozier's first release is a 4 track EP. 'Take Me To Church' (the lead track) and 'Angel Of Small Death' reflect the gospel – soul gumbo at the heart of his music; 'Like Real People Do' is an Arcadian acoustic adventure and 'Cherry Wine' a raw emotional discourse, recorded live at 6am on an abandoned hotel rooftop; with accompaniment from the dawn chorus. Hozier played all the instruments (Fiachra Kinder helped out on drums), sang all the parts and recorded at home. Rob Kirwan (Depeche Mode, PJ Harvey) mixed the tracks in Dublin.

This album contains no booklet.