Gerhard: Don Quixote (complete ballet); Suite from Alegrías; Pedrelliana BBC Philharmonic & Juanjo Mena

• Roberto Gerhard (1896 - 1970): Alegrías Suite:
• 1Gerhard: Alegrías Suite: I.Preámbulo02:10
• 2Gerhard: Alegrías Suite: II. Jácara02:20
• 3Gerhard: Alegrías Suite: III. Farruca05:07
• 4Gerhard: Alegrías Suite: IV. Jaleo03:05
• Pedrelliana:
• 5Gerhard: Pedrelliana11:31
• Don Quixote:
• 6Gerhard: Don Quixote: [Introduction]00:30
• Don Quixote, Scene 1:
• 7Gerhard: Don Quixote, Scene 1: Don Quixote’s Room00:53
• 8Gerhard: Don Quixote, Scene 1: Don Quixote’s vision of Dulcinea03:04
• 9Gerhard: Don Quixote, Scene 1: Sancho Panza00:55
• Don Quixote:
• 10Gerhard: Don Quixote: Interlude I (The Plain of La Mancha)00:52
• Don Quixote, Scene 2:
• 11Gerhard: Don Quixote, Scene 2: A Wayside Inn03:01
• 12Gerhard: Don Quixote, Scene 2: The Vigil at Arms01:31
• 13Gerhard: Don Quixote, Scene 2: The duel with the muleteer01:31
• 14Gerhard: Don Quixote, Scene 2: The ‘knighting’ of Don Quixote00:59
• Don Quixote:
• 15Gerhard: Don Quixote: Interlude II01:12
• Don Quixote, Scene 3:
• 16Gerhard: Don Quixote, Scene 3: The Plain of La Mancha - The Windmills01:29
• 17Gerhard: Don Quixote, Scene 3: The village barber and his basin02:13
• 18Gerhard: Don Quixote, Scene 3: The Golden Age02:44
• 19Gerhard: Don Quixote, Scene 3: The galley-slaves02:22
• Don Quixote:
• 20Gerhard: Don Quixote: Interlude III00:56
• Don Quixote, Scene 4:
• 21Gerhard: Don Quixote, Scene 4: The Cave of Montesinos03:09
• Don Quixote:
• 22Gerhard: Don Quixote: Interlude IV00:33
• Don Quixote, Scene 5:
• 23Gerhard: Don Quixote, Scene 5: The Prison03:23
• 24Gerhard: Don Quixote, Scene 5: Dulcinea revealed as Aldonza02:10
• Epilogue:
• 25Gerhard: Don Quixote: Epilogue03:32
• Total Runtime01:01:12

Info for Gerhard: Don Quixote (complete ballet); Suite from Alegrías; Pedrelliana

The Catalan Roberto Gerhard studied piano with Granados, and was the only Spanish composer to study with Arnold Schoenberg. It was, however, over twenty years before he committed himself to writing twelve-tone music. In the interim, his output brought a new focus and precision (owing more to Stravinsky and Bartok) to the Spanish style. All the works on this album were composed in that period. Dating from the early 1940s, his ballet Alegrias was originally conceived for two pianos, but soon evolved into the four-movement suite heard here. The flamenco-inspired movements are linked in pairs, and show Gerhard's brilliance and humour in equal measure. During this same period Gerhard decided to mark the centenary of his first teacher, Felipe Pedrell (who had also taught Albeniz, Granados, and de Falla), with a three-movement symphony, Homenaje a Pedrell (CHAN 9693). Gerhard failed to secure a performance of the work, but in 1954 was invited to re-work the final movement for a BBC Symphony Orchestra concert, which became Pedrelliana. Gerhard's ballet on episodes from Cervantes's Don Quixote evolved for almost a decade, from a work for chamber orchestra, for a touring company (abandoned because of the war), via a version for radio and an expanded orchestral suite, to the work recorded here, in its full and final orchestration for performances at the Royal Opera House in 1950, choreographed by Ninette de Valois. Robert Helpmann danced the title role and Margot Fonteyn Dulcinea.

BBC Philharmonic Orchestra
Juanjo Mena, condutor

Juanjo Mena
began his conducting career in his native Spain as Artistic Director of the Bilbao Symphony Orchestra in 1999. His uncommon talent was soon recognized internationally with appointments as Principal Guest Conductor of the Bergen Philharmonic and Chief Guest Conductor of the Orchestra del Teatro Carlo Felice in Genoa. In 2011 he was named Chief Conductor of the BBC Philharmonic, which he led for seven seasons, taking the orchestra on tours of Europe and Asia and conducting annual televised concerts at the Royal Albert Hall as part of the BBC Proms. His BBC tenure featured, notably, “thrilling” (The Guardian) performances of Bruckner Symphonies, a cycle of Schubert Symphonies and set new standards for the interpretation of Spanish and South American repertoire. He held the position of Principal Conductor of the Cincinnati May Festival, the longest running choral festival in North America, served by the Cincinnati Symphony Orchestra, until 2023. His tenure reinvigorated the Festival’s repertoire with previously unheard music and new commissions (Julia Adolphe, James MacMillan, Missy Mazzoli, Ellen Reid, James Lee III), and expanded its audience both in numbers and in demographic reach.

A sought-after guest conductor, Juanjo Mena has led Europe’s top ensembles including the Berlin Philharmonic, Bavarian Radio Orchestra, Gewandhaus Orchestra Leipzig, London Philharmonic, Oslo Philharmonic, Rotterdam Philharmonic, Danish National Symphony Orchestra, Swedish Radio Symphony Orchestra, Orchestre National de France, Orchestra Filarmonica della Scala, Tonhalle Orchester Zürich, Bamberg Symphony Orchestra and the Dresden Philharmonic among others. He also appears regularly with all the major orchestras in his native Spain. Following his North American debut with the Baltimore Symphony in 2004, he has conducted most of the continent’s leading orchestras. They include the Chicago Symphony, Boston Symphony, the Cleveland Orchestra, Philadelphia Orchestra, New York Philharmonic, Los Angeles Philharmonic, Pittsburgh Symphony, Minnesota Orchestra, National Symphony, Cincinnati Symphony, Detroit Symphony, Atlanta Symphony, Montreal Symphony and Toronto Symphony Orchestras. In Asia, he is a regular guest conductor of the NHK Symphony Orchestra in Tokyo.

During the 23/24 season, Juanjo Mena returns to North America to lead the Teatro Real Orchestra (the Royal Opera of Madrid) at Lincoln Center, after their triumphant debut at Carnegie Hall in 2022. Other guest performances in North America this season include returns to the New York Philharmonic with Hilary Hahn as soloist, the Pittsburgh Symphony, Detroit Symphony and Montreal Symphony. In Europe, he returns to the Spanish National Orchestra, Barcelona Symphony, Gürzenich Orchestra Cologne and the BBC Philharmonic, while his most recent debuts have included the Dallas Symphony and the Czech Philharmonic.

In the world of opera, Juanjo Mena conducted a new production of Arthur Honegger’s Joan of Arc at the Stake with Marion Cotillard in the leading role, paired with Debussy’s La damoiselle élue staged by Madrid’s Teatro Real in 2022. His operatic work includes Wagner’s The Flying Dutchman, Richard Strauss’ Salome, Elektra, Ariadne auf Naxos, Bartok’s Duke Bluebeard’s Castle and Schoenberg’s Erwartung as well as productions of Tchaikovsky’s Eugene Onegin in Genoa, Mozart’s The Marriage of Figaro in Lausanne, and Beethoven’s Fidelio and Britten’s Billy Budd in Bilbao.

His latest release of Bruckner’s Symphony No. 6 with the BBC Philharmonic on Chandos has been described by The Classical Review as “intensely musical,” “impressive” and with a “spectacular sound”. Mena’s rich discography with the BBC Philharmonic on Chandos also includes an acclaimed Gabriel Pierné release selected as a Gramophone Editor’s Choice, Weber Symphonies, Ginastera’s orchestral works to mark the composer’s centenary, and new reference recordings of lesser performed Spanish repertoire including Arriaga’s orchestral pieces, works by Albéniz, Montsalvatge and Turina, as well as three discs of works by Manuel de Falla featuring his opera La Vida Breve. In 2012 Juanjo Mena recorded Messiaen’s Turangalîla Symphony with the Bergen Philharmonic for the Hyperion label, a disc said to “utterly redefine the terms under which past/current/future Turangalîlas need to be judged” (Gramophone).

Juanjo Mena studied conducting with Sergiu Celibidache following his musical education at the Madrid Royal Conservatory where he was mentored by Carmelo Bernaola and Enrique García Asensio. In 2016, he was awarded the Spanish National Music Award. He lives with his family in his native Basque Country.

Booklet for Gerhard: Don Quixote (complete ballet); Suite from Alegrías; Pedrelliana