Dreams Do Come True: When George Benson Meets Robert Farnon (feat. The Robert Farnon Orchestra) George Benson

• 1At Last (feat. The Robert Farnon Orchestra)04:12
• 2A Song for You (feat. The Robert Farnon Orchestra)03:36
• 3Pretend (feat. The Robert Farnon Orchestra)03:59
• 4A Long Time Ago (feat. The Robert Farnon Orchestra)04:32
• 5Love Is Blue (feat. The Robert Farnon Orchestra)04:16
• 6My Romance (feat. The Robert Farnon Orchestra)04:07
• 7Autumn Leaves (feat. The Robert Farnon Orchestra)04:19
• 8Can't We Be Friends (feat. The Robert Farnon Orchestra)03:01
• 9My Prayer (feat. The Robert Farnon Orchestra)04:35
• 10Yesterday (feat. The Robert Farnon Orchestra)04:18
• 11One Goodbye (feat. The Robert Farnon Orchestra)03:01
• Total Runtime43:56

Info for Dreams Do Come True: When George Benson Meets Robert Farnon (feat. The Robert Farnon Orchestra)

Grammy® Award-winning jazz guitarist-vocalist George Benson will release a long-lost orchestral album this summer, his first since returning to Warner Music Group earlier this year. "After finding this long-lost treasure of music, I employed my genius friend, Randy Waldman, to help me bring it back to life. Mission accomplished." - George Benson

In 1989, Benson collaborated with celebrated composer-arranger Robert Farnon and his orchestra to create Dreams Do Come True. Farnon’s lush arrangements perfectly complement Benson’s soulful vocals and fluid guitar work on American Standards like “Autumn Leaves,” “At Last,” and “My Romance.” The spellbinding collection also features reimagined pop classics like the Beatles’ “Yesterday” and Leon Russell’s “A Song For You.” In 1976, Benson’s version of Russell’s “This Masquerade” became his first major hit and won the Grammy® Award for Record of the Year.

Benson recorded Dreams Do Come True during a prolific period and chose to delay the album’s release. In the meantime, the recordings went missing and remained lost until recently, when they were rediscovered in Benson’s archive. Now, after 35 years, the album will finally receive its proper release.

George Benson stated, "After finding this long-lost treasure of music, I employed my genius friend, Randy Waldman, to help me bring it back to life. Mission accomplished."

The original recording sessions for Dreams Do Come True were impeccably captured by Grammy® Award-winning engineer Al Schmidt, who manned the recording console for some of Benson’s most successful albums. All 11 tracks have been newly remastered for the upcoming release. Benson partnered with Grammy®-award-winning pianist, composer, and arranger Randy Waldman as his co-producer, adding in overdubs and expressive choral arrangements throughout the reimagined record.

This album marks the latest chapter in Benson’s illustrious career as a giant in both jazz and contemporary music. During his tenure with Warner Records from 1976 to 1993, Benson released 12 studio albums, including Breezin’. This groundbreaking record not only topped the pop, R&B, and jazz charts but also earned Benson three of his 10 Grammy® Awards. Certified triple platinum, Breezin’ remains one of the best-selling jazz albums of all time. In 2009, the National Endowment of the Arts (NEA) recognized Benson as a Jazz Master, the nation’s highest honor for jazz artists.

George Benson

Please Note: We offer this album in its native sampling rate of 48 kHz, 24-bit. The provided 96 kHz version was up-sampled and offers no audible value!

Born on March 22, 1943 in Pittsburgh, Pennsylvania, Benson showed prodigious talent from an early age, winning a singing contest when he was only four years old and enjoying a short career as a child radio performer under the name of “Little Georgie Benson.” He started playing the guitar when he was eight, but it was as a vocalist that he spent much of his vast musical energy as a teenager, organizing and performing with a succession of rhythm-and-blues and rock bands around Pittsburgh. He made recordings for RCA Victor’s X Records subsidiary in the middle 1950s. But Benson’s stepfather encouraged his instrumental efforts by constructing a guitar for him, and in his late teens he began to concentrate exclusively on guitar. Seeking out the music of modern jazz’s golden age, he became more and more interested in jazz, and was particularly inspired by recordings of saxophonist Charlie Parker and guitarists Charlie Christian and Grant Green.

Discovered by John Hammond: In 1961 Benson jumped to the national stage when he joined the group backing jazz organist Jack McDuff. He played and recorded with McDuff for four years. Then he struck out on his own: he moved to New York City, then the capital of the jazz universe, and formed his own band. There Benson made two acquaintances who proved crucial in setting him on the path to jazz stardom: guitarist Wes Montgomery, whose soft tone and graceful octave playing provided Benson with his most important stylistic inspiration, and Columbia Records producer and executive John Hammond, whose unerring eye for talent brought

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