The Great Bailout Moor Mother

Album info

Album-Release:
2024

HRA-Release:
08.03.2024

Label: Anti/Epitaph

Genre: Jazz

Subgenre: Avantgarde Jazz

Artist: Moor Mother

Album including Album cover

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Formats & Prices

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FLAC 44.1 $ 13.20
  • 1GUILTY09:54
  • 2ALL THE MONEY04:12
  • 3GOD SAVE THE QUEEN03:46
  • 4COMPENSATED EMANCIPATION04:17
  • 5DEATH BY LONGITUDE05:01
  • 6MY SOULS BEEN ANCHORED01:13
  • 7LIVERPOOL WINS04:18
  • 8SOUTH SEA09:00
  • 9SPEM IN ALIUM00:53
  • Total Runtime42:34

Info for The Great Bailout



Moor Mother is an American musician, poet, and interdisciplinary artist known for her avant-garde and experimental work. The Great Bailout is an expansive meditation that acts as a non-linear word map about colonialism, slavery, and commerce in Great Britain. Featuring guest contributions from Lonnie Holley, Angel Bat Dawid & Sistas of the Nitty Gritty, Vijay Iyer, Mary Lattimore, and more, it"s Moor Mother"s most uncompromising vision to date.

Moor Mother has gained recognition for her unique blend of spoken word, noise, and electronic music, addressing themes of race, gender, and socio-political issues. She hails from Philadelphia and has been an influential figure in the city"s vibrant arts and music scene. She has received critical acclaim for her albums, with reviewers praising her fearless approach to sound and her thought-provoking lyrical content on albums like "Jazz Codes" and "Analog Fluids of Sonic Black Holes", showcasing her boundary-pushing sonic experiments.

Called “the poet laureate of the apocalypse,” by Pitchfork, Ayewa’s music contains multitudes of instruments, voices and cacophony that take on themes of Afrofuturism and collective memory with the forebearers of jazz, hip hop and beat poetry in mind.

“Research is a major part of my work, and researching history - particularly African history, philosophy and time - is a major interest,” Moor Mother explained. “Europe and Africa have a very intimate and brutal relationship throughout time. I’m interested in exploring that relationship of colonialism and liberation, in this case in Great Britain.”

"The Great Bailout is a hauntingly edifying experience born out of intergenerational trauma, political rage and suffering. Echoey vocals and experimental composition hold this album up as a house of mirrors – a forceful confrontation with an ugly past with no way out. Its counterpoint is a feeling of strength. Through this comes a profound sense of recovery, a restoration of freedom." (Puja Nandi, thequietus.com)

Moor Mother



Camae Ayewa aka Moor Mother
is a national and international touring musician, poet, visual artist, and workshop facilitator, and has performed at numerous festivals, colleges, galleries, and museums around the world, sharing the stage with King Britt, Roscoe Mitchell, Claudia Rankine, Bell Hooks, and more. Camae is a vocalist in three collaborative performance groups: Irreversible Entanglements, MoorJewelry and 700bliss.

As a soundscape and visual artist, Ayewa’s work has been featured at Baltic Biennale, Samek Art Museum, Vox Populi, Pearlman Gallery, Metropolitan Museum of Art Chicago, ICA Philadelphia, Bergan Kunstall, Hirshorn Gallery, and in an upcoming 2018 solo show at The Kitchen NYC. As a workshop facilitator, Camae has presented at Cornell University, MOFO Festival, Moogfest, Black Dot Gallery and others. Camae is co-founder and curator of Rockers Philly Project a 10-year long running event series and festival focused on marginalized musicians and artists spanning multiple genres of music.

As Moor Mother she released her debut album Fetish Bones on Don Giovanni records to critical acclaim. Fetish Bones was named 3rd best album of the year by The Wire Magazine, number 1 by Jazz Right Now and has appeared on numerous end of the year list from Pitchfork, Noisy, Rolling Stone, and Spin Magazine. Moor Mother was named by Rolling Stone as one of the 10 artists to watch in 2016 and named Bandcamp ’ s 2016 artist of the year. Moor Mother released a 2nd LP called the Motionless Present commissioned by CTM X VINYL FACTORY 2017. Moor Mother has appeared in the Quietus, Interview Magazine, The Guardian, Crack, Pitchfork and others. MoorMother’s schedule has included Berhaign, Borealis, CTM Festival, Le Guess Who, Unsound, Flow and Donau Festival, Rewire, Boiler Room and MOMA PS1.

As a durational performance artist Camae has been commissioned by Moog Festival, Vox Populi Gallery, Icebox Gallery and others. Camae is also a writer and poet her first book of poetry called Fetish Bones released on The AfroFuturist Affair small press. As a member of Black Quantum Futurism Collective (BQF), she has been a part of two literary works and several zines, and has been featured in exhibitions at the Schomburg Center, Rebuild Foundation, Temple Contemporary at Tyler School of Art, and Serpentine Gallery and more.

Camae Ayewa is a 2016 Leeway Transformation Awardee, a Blade of Grass 2016 Fellow as part of Black Quantum Futurism, 2017 PewFellow, and 2017 The Kitchen Inaugural Emerging Artist Awardee, and Rad Girls 2016 philly artist of the year. She has been an in artist in residency at West Philadelphia Neighborhood Time Exchange and WORM! Rotterdam residency, and featured with Black Quantum Futurism at Transmediale Festival in Berlin 2017.

This album contains no booklet.

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