Mahler: Das Lied von der Erde Lucile Richardot, Yves Saelens, Het Collectief, Reinbert De Leeuw

• Gustav Mahler (1860 - 1911): Das Lied von der Erde:
• 1Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (Arranged by Reinbert De Leeuw)07:03
• 2Das Lied von der Erde: II. Der Einsame im Herbst (Arranged by Reinbert De Leeuw)10:12
• 3Das Lied von der Erde: III. Von der Jugend (Arranged by Reinbert De Leeuw)03:13
• 4Das Lied von der Erde: IV. Von der Schönheit (Arranged by Reinbert De Leeuw)07:03
• 5Das Lied von der Erde: V. Der Trunkene im Frühling (Arranged by Reinbert De Leeuw)04:14
• 6Das Lied von der Erde: VI. Der Abschied (Arranged by Reinbert De Leeuw)31:34
• Total Runtime01:03:19

Info for Mahler: Das Lied von der Erde

This recording was made under the direction of Reinbert de Leeuw in December 2019, two months before his death. A few weeks before that, he had called Thomas Dieltjens, artistic director of Het Collectief, to tell him: ‘Since our concert in mid-July 2019 at the Saintes Festival, I’ve been haunted by Das Lied von der Erde. I’m totally under its spell, and every day I discover new things in this masterpiece by Mahler. Wouldn’t it be a dream if we could record this music with the outstanding group of instrumentalists and soloists we had in Saintes? And preferably as soon as possible?’ Reinbert himself made the arrangement for fifteen instrumentalists and two soloists and invested all his remaining strength in the recording of this music, which encompasses the whole of life, from the freshness of birth to the moment of farewell... A testamentary album, with the moving mezzo-soprano Lucile Richardot, which gives us an opportunity to pay tribute to one of the key ambassadors of twentieth-century music.

Lucile Richardot, mezzo-soprano
Yves Saelens, tenor
Het Collectief
Reinbert de Leeuw, conductor

Lucile Richardot
Mezzosoprano, started singing at 11 in a children’s choir in the East of France, she worked first as a journalist until she was 27.

Graduated in 2008 from the Maîtrise de Notre-Dame de Paris and in 2011 on Early Music from d Conservatoire à rayonnement régional e Paris, she attended teachings of Margreet Hoenig, Noëlle Barker, Paul Esswood, Howard Crook, Jan van Elsacker, Martin Isepp, François Le Roux, Monique Zanetti, Jill Feldman.

In 2012, she founded her own Ensemble, named Tictactus, with two friends lutenists and also multi-instrumentalists.

She works in early music as in contemporary repertoire, on stage as in concerts, with Les Solistes XXI (conductor Rachid Safir), Correspondances (Sébastien Daucé), Pygmalion (Raphaël Pichon), Le Poème Harmonique (Vincent Dumestre) or since 2012 with Les Arts Florissants for full implementation of Madrigals Books of Monteverdi, conducted by Paul Agnew. He even invited her to perform in Bach’s “St John’s Passion”, with the Liverpool Philharmonic Orchestra.

In 2009, she created the role of the first Aunt in the Philippe Boesmans’ opera, ”Yvonne, Princesse de Bourgogne”, held in Paris Opéra Garnier and in the Theater an der Wien. End of 2014, she was invited by French Ensemble intercomporain, for ”Omaggio a Kurtag” by Luigi Nono, in Festival d’Automne in Paris, and by the viola player Christophe Desjardins with composer Gérard Pesson. She is also delighted in designing some recitals with keyboard players, viols consort or string quartet.

In 2017 she will embody Lisea in the Antonio Vivaldi’s Opera ”Arsilda” performed in Czech Republic and the whole Europe with Collegium 1704 (Vaclav Luks).

Yves Saelens
After obtaining a pedagogical diploma, Belgian tenor Yves Saelens studied at the Brussels Royal Conservatoire of Music with Dina Grossberger, where he obtained the Higher Diplomas for Singing and Lyric Art, and at the Juilliard Opera Center in New York with Ed Zambara. He won the “Concours Nany Phillipart ‘96”, “Jeugd en Muziek Vlaanderen ‘97”, “New York Oratorio Society Competition ‘97” and the “Marilyn Horne Foundation Competition ‘97”; In Salzburg, he became 2nd laureate of the “International Mozart Competition ‘99”. He was elected “Young Musician of the Year 2004” by the Union of Belgian Music Press.

He has participated in masterclasses with Ernst Haefliger, Ruben Lifschitz and Martin Isepp; at the Steans Institute Chicago with Christoph Eschenbach, Peter Schreier, Ian Partridge, Roger Vignoles and David Owen Norris; at the Music Academy of the West with Marilyn Horne, Warren Jones and Frank Lopardo; at the Juilliard School with Christa Ludwig and James Levine and at La Monnaie with Helmut Deutsch.

Yves Saelens has been a soloist in many cantatas and oratorios throughout Europe, North America and Asia. His repertoire includes works by Haydn (Die Schöpfung, Die Jahreszeiten), Haendel (Messiah), Bach (the Passionen, Weihnachtsoratorium), Beethoven (9th Symphony, Misssa Solemnis), Mendelssohn (Paulus), Schumann (Das Paradies und die Peri, Der Rose Pilgerfahrt), Rossini (Petite Messe Solennelle, Stabat Mater), Berlioz (Requiem, Te Deum), Puccini (Messa di Gloria), Verdi (Requiem), Orff (Carmina Burana), Britten (War Requiem, Serenade, Nicolascantata), A.L.Webber (Requiem), Martin (In Terra Pax), Mozart (Requiem, Grosse Messe), Bruckner, Salieri, Dvorak, Benoit...

He participated in recordings of Der Tod Jesu (Telemann), Carmina Burana (Orff), the Serenade for Tenor and Horn (Britten), Le Nozze di Figaro (Mozart), L’Enfance du Christ (Berlioz), Lucie de Lammermoor (Donizetti), La Capricciosa corretta (Martin y Soler) and the Kosegarten Song Cycle (Schubert). He made solo recordings with Lieder by Robert Franz (Etcetera), together with pianist Jan Vermeulen; Goethe Songs by Hugo Wolf (Eufoda), Romanze by Francesco Paolo Tosti (Eufoda) and Wehmut und Liebeshauch, with lieder by Beethoven, Schumann, Grieg and Strauss (Eufoda), all with pianist Inge Spinette. In 2014 This Wing’d Hour, a new CD with songcycles by Quilter, Vaughan-Williams, Britten and Finzi was released.

An active recitalist, Yves Saelens has performed a.o. Schumann’s Dichterliebe, the Liederkreise and Kerner-lieder, Beethoven’s An Die Ferne Geliebte, Schubert’s Die Schöne Müllerin, Winterreise and Schwanengesang, Brahms’ Die Schöne Magelone and Britten’s Illuminations and Nocturne. He performed Vaughan-Williams’ Songs of Travel, accompanied by the Belgian National Orchestra, and his On Wenlock Edge, with the Penderecki String Quartet, in a Marilyn Horne Foundation Recital. He sung Mahler’s Lied von der Erde with the Opera Orchestra de Tours, and with the ASKO Schönberg Ensemble Amsterdam in a transcription by Reinbert de Leeuw.

His debut operarole was Paolino in Il Matrimonio Segreto by Cimarosa. Since then he has performed a number of major Mozart-roles: Tamino (Die Zauberflöte), Belmonte (Die Entführung aus dem Serail), Don Ottavio (Don Giovanni), Ferrando (Cosi Fan Tutte), the title role of Idomeneo, Titus (La Clemenza di Tito) and Gomatz (Zaïde). Other major parts include Rinuccio (Gianni Schicchi), Pinkerton (Madama Butterfly), Alfredo (La Traviata), Fenton (Falstaff), Narraboth (Salomé), Admeto (Alceste), Alwa (Lulu), Tambourmajor (Wozzeck), Steva (Jenufa), Tichon (Katia Kabanova), Toni (Elegy for Young Lovers), Belfiore (Il Viaggio a Reims), Pluton (Orphée aux Enfers), Bénédict (Béatrice et Bénédict), Gérald (Lakmé), Faust (La Damnation de Faust), Ulysse (Pénélope), Jason (Médée), Camille (Die Lustige Witwe), Gonzalve (L’Heure Espagnole), Gernando (L’Isola Disabitata), Filippo (L’Infedeltà Delusa), Lelio (La Capricciosa corretta), Guido Bardi (Eine Florentinische Tragödie), Male Chorus (The Rape of Lucretia), Edgar Linton (Wuthering Heights), Ferdinand (The Tempest – Adès) and David (Die Meistersinger von Nürnberg). He also created the parts of Il Matto (La Strada – Van Hove), L’Avventore (L’Uomo dal fiore in Bocca – Brewaeys), Le Chef de la Garde (Affaire Étrangère – Villenave), Festus (Legende – Wagemans), Shoko (Andreas Weent – Wagemans) and Schatz/Big Uncle (An unserem Fluss – Navok).

Booklet for Mahler: Das Lied von der Erde