Ries: Clarinet Trio & Sonatas Vlad Weverbergh, Jadranka Gasparovic, Vasily Ilisavsky

• Ferdinand Ries (1784 - 1838): Piano Trio in G Minor, Op. 28:
• 1Ries: Piano Trio in G Minor, Op. 28: I. Allegro09:30
• 2Ries: Piano Trio in G Minor, Op. 28: II. Scherzo. Allegro Vivace04:45
• 3Ries: Piano Trio in G Minor, Op. 28: III. Adagio03:40
• 4Ries: Piano Trio in G Minor, Op. 28: IV. Rondo. Allegro ma non Troppo06:40
• Sonate sentimentale in E-Flat Major, Op. 169:
• 5Ries: Sonate sentimentale in E-Flat Major, Op. 169: I. Allegro Moderato06:30
• 6Ries: Sonate sentimentale in E-Flat Major, Op. 169: II. Adagio con Moto05:45
• 7Ries: Sonate sentimentale in E-Flat Major, Op. 169: III. Rondo. Allegro06:27
• Clarinet Sonata in G Minor, Op. 2:
• 8Ries: Clarinet Sonata in G Minor, Op. 2: I. Adagio - Allegro12:35
• 9Ries: Clarinet Sonata in G Minor, Op. 2: II. Adagio con Moto04:32
• 10Ries: Clarinet Sonata in G Minor, Op. 2: III. Adagio - Allegro non troppo - Prestissimo07:16
• Total Runtime01:07:40

Info for Ries: Clarinet Trio & Sonatas

Ferdinand Ries may still be known almost exclusively to the musical world as Beethoven’s friend, pupil, secretary and first biographer, but Brilliant Classics have done much to broaden our understanding of this significant figure in the Vienna of the early 19th century with albums of his own compositions, notably his sonatas for violin, cello and flute and his Piano Quintet.

In fact the Op.28 Clarinet Trio is one of Ries’s best-known pieces, as well it might be for the mellifluous appeal of its writing for all three instruments. While the top line may also be taken by violin, it belongs most harmoniously to the clarinet’s singing register and hardly suffers by comparison with Beethoven’s Op.11 Trio for the same combination ofinstruments. As grateful as the clarinet writing is the rippling piano part, which supports the other instruments with unfailingly genial warmth before coming to the fore in the finale with some virtuosic passagework as if to demonstrate that the pianist-composer could turn a trick or two himself.

The two sonatas for clarinet and piano are much more Romantic-sounding, atmospherically evocative and forward-looking pieces. The Op.29 work begins with a passionately pleading slow introduction, which segues masterfully into a main Allegro of positively Schubertian vitality. After a brief but deeply felt slow movement, the finale mirrors the first movement’s form and intensifies the tempestuous, troubled expression of the sonata as a whole.

The E flat major Sonata Op.129 is all sunshine compared to Op.29’s storm and thunder: a delight from start to finish, inflected by the kind of Italianate drama and cantabile that began to make its mark on German and Austrian composers in the 1810s and 20s, most notably in the clarinet writing of Carl Maria von Weber.

As one of Belgium’s foremost clarinettists, Vlad Weverbergh has his own big band and klezmer group, but he is also a member of I Solisti del Vento, the wind ensemble uniting the finest Belgian wind players. He has made a speciality of reviving, performing and recording lesser-known treasures of the clarinet repertoire, as well as collecting and playing instruments from the rich history of the clarinet, such as the unusual clarinetto d’amore which he uses on this recording.

Vlad Weverbergh, clarinet
Jadranka Gasparovic, cello
Vasily Ilisavsky, piano

Vlad Weverbergh
Born in 1977, Vlad Weverbergh studied clarinet in Antwerp at the Royal Conservatory with Walter Boeykens and completed his studies with Aurelian Octav Popa, Guy Deplus, Hans Deinzer and the Melos Quartet. Vlad Weverbergh has won a number of international competitions and his repertoire ranges from classical clarinet literature (Mozart, Weber, Rossini), Debussy and Stravinsky to world premieres of contemporary composers, klezmer, tango and improvisation. Successful tours have taken him all over Europe, several successful CD recordings and numerous radio and television recordings complement his work. Orchestras such as the Philharmonic Orchestra of the Flemish Television VRT, deFilharmonie, Prima la Musica, Collegium Brugense, the Hungarian Radio Orchestra, the Filarmonica George Enescu, the Philharmonia Hungarica and the Southwest German Chamber Orchestra have invited him as soloist. Vlad Weverbergh was principal clarinettist in deFilharmonie, belongs to the trend-setting ensemble Champ d'Action and teaches, among other things, as professor of bass clarinet at the Royal Flemish Conservatory in Antwerp.

Booklet for Ries: Clarinet Trio & Sonatas