Found in Space: The Music of Gregg Hill Michael Dease

Album info

Album-Release:
2024

HRA-Release:
20.09.2024

Label: Origin Records

Genre: Jazz

Subgenre: Contemporary Jazz

Artist: Michael Dease

Album including Album cover

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FLAC 48 $ 13.20
  • 1The Last Pop Tune07:37
  • 2Found in Space08:33
  • 3One for Rodney06:41
  • 4The Stray Moonduck06:27
  • 5The Puppet Thief06:26
  • 6Rue De Royal06:35
  • 7Chillin With Wess07:41
  • 8Anthem07:32
  • 9Nostalgia06:25
  • 10A Wrinkle in Time07:05
  • Total Runtime01:11:02

Info for Found in Space: The Music of Gregg Hill



This second pairing of the dominant trombonist of our time and the prolific idiosyncratic composer Gregg Hill plays out in an expansive aural sandbox. Full of reminders of '70s cinema, Zappa albums circa The Grand Wazoo, bebop, and big bands through the ages, the strong melodies and committed musical integrity assure the feeling is substantial, swinging, and exciting. Structured and highly contrapuntal pieces unfold in sections, with the world-class soloists imbuing the music with an organic energy that ties together the storylines. Dease, performing on trombone and baritone sax, is joined by the woodwind section of Sharel Cassity, Rudresh Mahanthappa, Jason Hainsworth and Virginia MacDonald, Matt White on trumpet, Nanami Haruta on trombone, and the rhythm section of Bill Cunliffe, Katie Thiroux, Colleen Clark, and Gwendolyn Dease on marimba and percussion.

"Bustling like a mashup of Ray Anderson and Charles Mingus, Dease's band carves a broad swath through territory that seems somewhat familiar." (DOWNBEAT)

"Clearly in 2024, Michael Dease is on all fronts. No sooner had his masterful *Grove's Groove* been released—where he swapped the trombone for the baritone saxophone—than by September, you'll find him back on the trombone for the incredible and excellent *Found In Space: The Music Of Gregg Hill*, once again condemning us to the excellence of his ..." (Paris Move, Thierry De Clemensat)

"Trombonist came up with a brilliant idea on his last album in putting together material from the catalogue of composer Gregg Hill. He keeps playing the winning hand on this new release, but with a larger ensemble in Virginia MacDonald/cl, Sharel Cassity/fl-as, Rudresh Mahanthappa/as, Jason Hainsworth/ts, Matt White/tp, Nanami Haruta/tb, Bill Cunlif ..." (Jazz Weekly, George W Harris)

Sharel Cassity, flute, alto saxophone (track 3)
Virginia MacDonald, clarinet
Rudresh Mahanthappa, alto saxophone
Jason Hainsworth, tenor saxophone
Matt White, trumpet
Michael Dease, trombone, baritone saxophone
Nanami Haruta, trombone
Bill Cunliffe, piano, Rhodes
Katie Thiroux, bass
Colleen Clark, drumset
Gwendolyn Dease, marimba, percussion
Gregg Hill, compositions & producer

Please Note: We offer this album in its native sampling rate of 48 kHz, 24-bit. The provided 96 kHz version was up-sampled and offers no audible value!



Michael Dease
has emerged as one of the premier jazz trombonists of his generation. He serves as associate professor of jazz trombone at the MSU College of Music.

Born in Augusta, Georgia, the “Deep South,” Dease played the saxophone and trumpet before choosing the trombone. He was a self-taught high school senior, when he moved to New York in 2001 to study at the Juilliard School where he earned his Bachelor and Master degrees.

Dease quickly established his reputation as a soloist and sideman, recording 4 albums as a leader and logging over 100 sessions as a sideman, all before the age of 30. His 4 critically praised releases as a leader include: The Takeover (2005), Clarity (2007), Dease Bones (2008) and Grace (2010). His latest album, Coming Home, to be released on D Clef Records, May 21st, features a stellar lineup of band mates: pianist Renee Rosnes, bassist Christian McBride, drumer Ulysses Owens Jr, and saxophonist Steve Wilson, plus a guest appearance by tenor sax man Eric Alexander.

He is a Grammy award-winning trombonist, and has played with many of today’s foremost jazz orchestras, including those led by Wynton Marsalis, Christian McBride, Roy Hargrove, Nicholas Payton, Charles Tolliver and Rufus Reid. He has revitalized the trombone’s image on the frontline of quintets and sextets lead by masters musicians like Winard Harper, Renee Rosnes, Bill Charlap, Claudio Roditi, The Heath Brothers and Lewis Nash.

Michael learned his craft from trombone legends Wycliffe Gordon and Joseph Alessi. His associations run the entire spectrum of musical genres and include Alicia Keys, Paul Simon, Paul Schaffer, CBS Orchestra, Elton John, Neal Diamond, Illinois Jacquet, Slide Hampton, The World Of Trombones, Fred Wesley, Maceo Parker, WDR Big Band, George Gruntz, Billy Harper, and numerous others.

Dease’s unique blend of curiosity, hard work and optimism has helped him earn worldwide recognition, including awards from ASCAP, The International Trombone Association, Yamaha, Eastern Trombone Workshop, New York Youth Symphony, among others. Dease was recently profiled in Cicily Janus’ book, The New Face of Jazz: An Intimate Look at Today’s Living Legends (Random House).

Michael’s singular teaching talent has resulted in invitations to host master classes and residencies at University of North Texas, Scranton University, University of Iowa, Florida State College, Broward College, and many institutions abroad, and has also been on faculty at Queens College CUNY, The New School and Northeastern University.

Aside from leading his own quartet, quintet and sextet, Dease conducts his own 17-piece big band loaded with young talents like Sharel Cassity and Coleman Hughes, plus heavy hitters Rodney Whitaker, Greg Gisbert and Tom “Bones” Malone.

This album contains no booklet.

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