Mahler: Sinfonie Nr. 3 (Remastered) David Zinman

• Gustav Mahler (1860 - 1911): Sinfonie Nr. 3 in D Minor:
• 1I. Kräftig. Entschieden - Langsam. Schwer - Tempo I - A tempo - Immer dasselbe Tempo (Marsch) - (Allegro moderato) - Tempo I34:49
• 2II. Tempo di Menuetto. Sehr mäßig - L'istesso tempo - A tempo - L'istesso tempo. Nicht schleppen - Ganz plötzlich gemächlich. Tempo di Menuetto10:17
• 3III. Comodo. Scherzando. Ohne Hast - Wieder sehr gemächlich, wie zu Anfang - Sehr gemächlich (Wie die Weise eines Posthorns)17:46
• 4IV. Sehr langsam - Misterioso. Durchaus ppp - Più mosso subito09:17
• 5V. Lustig im Tempo und keck im Ausdruck04:24
• 6VI. Langsam. Ruhevoll. Empfunden - Nicht mehr so breit - Tempo I. Ruhevoll - A tempo (Etwas bewegter) - Tempo I - Langsam. Tempo I22:56
• Total Runtime01:39:29

Info for Mahler: Sinfonie Nr. 3 (Remastered)

„David Zinman’s Mahler cycle really hits its stride with this remarkable performance of the Third Symphony. It only has two small drawbacks worth mentioning. First, alto Birgit Remmert sounds pretty good in her big fourth-movement solo, but she’s far less impressive during her brief contributions to the choral fifth movement. Perhaps this take came from another evening (the symphony was recorded during a series of live performances). Second, at the very end of the symphony, despite the very beautiful playing, the trumpets fail to ring out as Mahler’s score directs. Better this glowing sonority than stridency, but there’s no reason why we can’t have the best of both worlds (Haitink’s first recording with the Concertgebouw on Philips never has been surpassed in this respect).

Otherwise, this is pretty sensational. Zinman nails the first movement, from the creepy, gurgling sounds of the opening through a major-key march that has real brilliance and swing. There’s not a trace of underplaying or that awful “Mahler lite” quality that sometimes afflicts today’s performances (from Norrington to Abbado). The wild “mob” episode in the development section gives Bernstein (Sony) a very good run for his money, and the coda really rocks. The second movement offers particularly strong contrasts between slow and fast sections, making the music more dramatic than usual. In the scherzo Zinman takes the posthorn solos very slowly but varies the offstage perspective to create a fascinating interplay of texture between trumpet, horns, and strings. It’s really special, and the same movement’s coda never has been more colorfully shaped, with horns and trumpets tossing back their hunting fanfares in the spirit of the scherzo of Bruckner’s Fourth Symphony.

As perviously noted, Remmert does well by her Nietzsche text in the fourth movement, less well in the fifth, but the latter features fine chorus-work and a vivid underpinning of bell sounds. Zinman’s tempo for the finale (almost exactly 23 minutes) strikes me as ideal, not too fast but never dragging. The Tonhalle strings play very eloquently here, and the soft brass chorale before the final triumphant climax is truly luminous. In sum, this is a performance with a distinctive but idiomatic point of view that gives great satisfaction. The sonics in SACD multichannel format are good, but I still find that traditional stereo has the greatest impact, as it so often does. Mahler’s Third is a tough work to hold together, but Zinman reveals himself here as a fearless Mahlerian who stands with the best.“ (David Hurwitz, ClassicalToday)

Birgit Remmert, mezzo-soprano
Schweizer Kammerchor
Zürcher Sängerknaben
Tonhalle Orchester Zürich
David Zinman, conductor

Digitally remastered

David Zinman
has conducted all the leading North American and European orchestras. Forthcoming projects include performances with the Toronto Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, Gewandhausorchester Leipzig, Czech Philharmonic Orchestra, Orchestre de Paris, London Philharmonic Orchestra, NHK Symphony Orchestra and Washington’s National Symphony Orchestra. He also returns to the Tonhalle-Orchester Zürich for subscription concerts and conducting masterclasses, which he inaugurated during his time as Music Director. He also gives masterclasses this season at the Juilliard School of Music.

Zinman has held positions as Music Director of the Rotterdam Philharmonic, Rochester Philharmonic and Baltimore Symphony orchestras. Recent recordings include a 50-CD box set, David Zinman - Great Symphonies: The Zurich Years, which celebrates Zinman’s recording legacy with the Tonhalle-Orchester.

This album contains no booklet.