Warsaw Philharmonic Choir & Bartosz Michałowski

Biography Warsaw Philharmonic Choir & Bartosz Michałowski

Warsaw Philharmonic Choir & Bartosz Michałowski

Bartosz Michałowski
graduated with distinction in choral conducting from the Ignacy Jan Paderewski Academy of Music in Poznań. In the years 1998-2005, he was the assistant of Professor Stefan Stuligrosz and the conductor of the Poznań Philharmonic Choir. Together with this choir, otherwise known as the Poznań Nightingales, he has performed extensively in Germany, France, Spain, Belgium, the Netherlands, Denmark, Sweden, Italy, Austria, Switzerland, Czech Republic, Lithuania, Russia, and Japan.

Bartosz Michałowski won the L’Orphée d‘Or 2015 of the Académie du Disque Lyrique in Paris, was nominated for a Fryderyk 2015 award for his 2CD album featuring works by Pasquale Anfossi, received a double nomination for the International Classical Music Awards 2022, became a laureate of the Fryderyk 2019 award for the recording of Hagith, an opera by Karol Szymanowski, is the recipient of a Gold Disc and won the 9th Polish National Choral Conductors Competition, where additionally he received a special prize for his diligent work on voice production with choirs.

Bartosz Michałowski is the founder, conductor, and Artistic Director of the Poznan Chamber Choir, one of the best ensembles of its kind in Poland. He is likewise the founder and Director of the Opus 966 Polish Composer Competition, and the author of Pisz muzykę – to proste! (Write Music – It’s Easy) composing workshops for children and young people. He is also a co-author of the Obrazogranie project organised as part of the Art for Children Biennale in Poznań.

As a conductor, Michałowski has garnered major prizes in reputable choral competitions as well as numerous special awards for, inter alia, the best vocal technique of an ensemble, the best performance of contemporary music, and the best conductor.

As the Choir Director of the Warsaw Philharmonic Choir, he led – both in the Warsaw Philharmonic concert hall and outside of it – Szymanowski’s Kurpie Songs, Kodály’s and Gretchaninov’s Masses, Rossini’s Petite Messe Solennelle, Mozart’s Coronation Mass and Requiem, Haendel’s oratorio Messiah, Beethoven’s oratorio Christ on the Mount of Olives, Mendelssohn’s oratorio Paulus and Litanies of Ostra Brama by Moniuszko. In October 2017, as the Choir’s Director, he prepared the ensemble for a performance of the world premiere of Anton Rubinstein’s sacred opera Moses (cond. Michail Jurowski), while in 2019 – for the first performance and the first-ever recording of The Pariah opera by Stanisław Moniuszko in the Italian language version. In the preceding year the Choir took part in a project launched by the Polish Music Publishing House, 100 by 100 – Musical decades of freedom, and under his baton recorded Roman Padlewski’s Stabat Mater.

He also helped prepare dozens of vocal-instrumental concerts of the Warsaw Philharmonic Choir and Orchestra, during which he collaborated with such eminent conductors as Andrzej Boreyko, Ton Koopman, Christoph König, Matthew Halls, Martin Haselböck, Bjarte Engeset, and Jacek Kaspszyk, as well as with Krzysztof Penderecki when performing his works, such as Seven Gates of Jerusalem, Credo, Polish Requiem, Te Deum, Dies Illa or Missa Brevis.

He has been invited to participate in prestigious festivals, such as the Schleswig-Holstein Musik Festival, Warsaw Autumn International Festival of Contemporary Music, Eufonie International Music Festival, the Ludwig van Beethoven Easter Festival, the Gaude Mater International Festival of Sacred Music, the International Grzegorz Gerwazy Gorczycki Festival, the Transatlantyk Festival, the Nostalgia Festival, the Wojciech Kilar Contemporary Music Festival, the Poznań Spring Contemporary Music Festival, the Musica Sacromontana Oratorio Music Festival, the Lower Silesia Music Festival, and the Mikołów Music Days.

To date, Michałowski has rehearsed and staged several hundred a capella pieces from all musical periods, and he has also collaborated regularly with renowned institutions and orchestras on performances of vocal-instrumental works. His output includes numerous first performances and recordings. He is invited to attend conferences on choral music and voice production, as well as joins the jury panels of choral competitions.

In addition to gaining a wealth of experience as a conductor, Bartosz Michałowski has spent many years working on enhancing his skills and knowledge in the field of voice production – he has completed master classes with Poppy Holden (Great Britain), Christian Elsner (Germany) and Józef Frakstein (Poland).

He holds a PhD from the Chopin University of Music.

Warsaw Philharmonic Choir
was founded in 1953 under Zbigniew Soja. Later chorus masters have included Roman Kuklewicz (1955–1971), Józef Bok (1971–1974), Antoni Szaliński (1974–1978), and Henryk Wojnarowski (1978–2016), and since January 2017, the post has been held by Bartosz Michałowski.

The Warsaw Philharmonic Choir was founded in 1953 under Zbigniew Soja. Later chorus masters have included Roman Kuklewicz (1955–1971), Józef Bok (1971–1974), Antoni Szaliński (1974–1978), and Henryk Wojnarowski (1978–2016), and since January 2017, the post has been held by Bartosz Michałowski.

The Choir’s performances focus around symphonic and oratorio concerts with the Warsaw Philharmonic Symphony Orchestra, as well as a cappella performances in the Warsaw Philharmonic Hall. Each season, the Choir stages numerous concerts here, and also appears regularly at the “Warsaw Autumn” International Festival of Contemporary Music and the “Wratislavia Cantans” International Festival.

The Warsaw Philharmonic Choir has also performed extensively abroad, in Austria, Belgium, Denmark, Finland, Greece, Spain, Iceland, Israel, Germany, Russia, Switzerland, Turkey, Lithuania, Latvia, France, and Italy. In May 2015, it also toured Great Britain with the Warsaw Philharmonic Symphony Orchestra. The Choir has been frequently invited to perform in concerts with such outstanding orchestras as the Berliner Philharmoniker, the Münchner Philharmoniker, the Rundfunk-Sinfonieorchester Berlin, the RIAS-Symphonie-Orchester Berlin, the Bamberger Symphoniker, the Tel Aviv and Jerusalem Symphony Orchestras, the Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, the Orchestre Symphonique de la Monnaie, the Orchestra Sinfonica Siciliana in Palermo, and the Orchestra del Teatro alla Scala in Milan.

The Choir’s first appearance on an opera stage brought further invitations to opera houses: re-invitation to La Scala (Weber’s Oberon, 1989; Beethoven’s Fidelio, 1990), La Fenice in Venice (Stravinsky’s The Rake’s Progress, 1986, and Mozart’s The Magic Flute, 1987), Paris (Beethoven’s Fidelio, 1989); Palermo (Szymanowski’s King Roger, 1992; Stravinsky’s Oedipus Rex, 1993; and Honegger’s Antigone, 1993), and Pesaro (Rossini’s L’italiana in Algeri, 1994). In 1988, 1990 and 2001, the Choir sang in gala concerts organised for Pope John Paul II in the Vatican.

The Choir has been conducted by such outstanding Polish and international masters of the baton and composers as Moshe Atzmon, Gary Bertini, Andrzej Boreyko, Sergiu Comissiona, Henryk Czyż, Charles Dutoit, Vladimir Fedoseyev, Sir Charles Groves, Jacek Kaspszyk, Kazimierz Kord, Jan Krenz, Helmut Koch, Witold Lutosławski, Lorin Maazel, Jerzy Maksymiuk, Igor Markevitch, Andrzej Markowski, Kurt Masur, Zubin Mehta, Grzegorz Nowak, Seiji Ozawa, Krzysztof Penderecki, Zoltán Peskó, Sir Simon Rattle, Helmuth Rilling, Wolfgang Rennert, Ljubomir Romansky, Witold Rowicki, Hanns-Martin Schneidt, Jerzy Semkow, David Shallon, Giuseppe Sinopoli, Stanisław Skrowaczewski, Leopold Stokowski, Igor Stravinsky, Tadeusz Strugała, Stanisław Wisłocki, Antoni Wit, and Bohdan Wodiczko.

The Choir’s wide repertoire comprises over 400 oratorios and a cappella works, ranging from the Middle Ages to contemporary pieces. A particular place in the Choir’s repertoire is occupied by Polish music, especially pieces by Krzysztof Penderecki. The ensemble has performed and recorded all of his oratorios and a cappella works. In February 2017, the Choir received the most prestigious award of the phonographic industry, a Grammy, in the “Best Choral Performance” category, for the first CD in the “Penderecki Conducts Penderecki” series (featuring Dies Illa, Psalms of David, Hymn to St. Danill and Hymn to St. Adalbert). The Choir had been nominated for Grammy six times before this occasion – five times for its recordings of Krzysztof Penderecki’s works, i.e. St Luke Passion (two nominations: in 1991, directed by the composer, and in 2004, directed by Antoni Wit), Polish Requiem (2005), Symphony No. 7 “Seven Gates of Jerusalem” (2007), and Utrenja (2009), and also for a Karol Szymanowski album featuring, among others, Stabat Mater, Demeter, and Veni Creator (2008). The album with Polish Requiem also received the Record Academy Award 2005 (from the Japanese magazine “Record Geijutsu”). In April 2009, the Choir’s album Stanisław Moniuszko – Masses Vol. 1 received a Fryderyk Award, in the “Album of the Year – Choral and Oratorio Music” category, whilst Vol. 2 was honoured with a Golden Orpheus – Arturo Toscanini Award from the French L’Académie du Disque Lyrique, in the category “Best Phonographic Initiative” in May 2010. The latter was given in recognition of its promotion of Stanisław Moniuszko’s oeuvre. These two CDs are the world’s only recording of Moniuszko’s complete masses.

In March 2011, the Choir received a Fryderyk Award of the Polish Phonographic Academy for its 1989 CD recording of Roman Maciejewski’s Requiem. Missa pro defunctis, which was reissued with a new graphic layout in 2010 to mark the 100th anniversary of the birth of the composer.

In year 2018 brought the Choir another Fryderyk Award in the Album of the Year – Choral Music category, for the album Szymanowski. December 2014 saw the release of a DVD with Christmas carols, followed by a CD featuring the same repertoire in 2015.

The Choir’s discography also comprises Händel’s Messiah, Israel in Egypt and Juda Maccabaeus, Mozart’s Requiem, Beethoven’s Fidelio and Symphony No. 9, Verdi’s Requiem, Berlioz’s La damnation de Faust, Bruckner’s Te Deum, Elsner’s Passion, Mahler’s Symphony No. 8, Moniuszko’s Litanies of Ostra Brama, Maklakiewicz’s Masses, Schumann’s Scenes from Goethe’s “Faust”, Bellini’s Norma, Wagner’s Der fliegende Holländer, Kilar’s Missa pro pace, Brahms’ Ein deutsches Requiem, Dvořák’s Requiem, and Weinberg’s Symphony No. 8 “Polish Flowers”.

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