Beyond This Place Kenny Barron

• 1The Nearness of You06:34
• 2Scratch05:35
• 3Innocence08:18
• 4Blues on Stratford Road06:40
• 5Tragic Magic05:36
• 6Beyond This Place05:05
• 7Softly As in a Morning Sunrise03:15
• 8Sunset07:10
• 9We See04:33
• Total Runtime52:46

Info for Beyond This Place

Pianist and composer Kenny Barron, a towering figure in the jazz world with 13 Grammy nominations and induction into the American Jazz Hall of Fame, has been at the helm of sophisticated post-bop for many decades, never shying away from reinventing jazz standards, reshaping his own originals, or composing anew. He does all that in his latest album, Beyond This Place, for which he enlisted a multigenerational group featuring rising star saxophonist Immanuel Wilkins, veteran vibraphonist Steve Nelson, and his regular rhythm team of bassist Kiyoshi Kitagawa and drummer Johnathan Blake.

The quintet starts off with a rendition of the timeless standard “The Nearness of You”, smoothly introduced by piano and saxophone, and later reinforced by dulcet bass lines and sizzling brushwork. Wilkins’s remarkably soulful statement makes this number memorable. Two other standards appear in the song lineup: “Softly as In a Morning Sunrise”, is a fantastic piano-drums duet where Barron deconstructs and rebuilds his narrative by stretching the melody to the breaking point; and Monk’s “We See”, seamlessly translated into piano-sax duo idiom. Curiously, Barron, who included more than a dozen Monk tunes in his extended discography, had never recorded this one before.

Notable among Barron’s original compositions is “Scratch”, a burning post-bop cut from 1985 that, stressing rhythmic accentuations, swings impulsively with confident elan. It’s lavishly delivered and stately paced with fluid yet tension-imbued solos from Wilkins, Nelson, and Barron. “Innocent”, whose original version was recorded in 1978 with saxophonist Sonny Fortune, is now revitalized with Wilkins’ fresh approach and Blake’s dynamic contribution. The drummer also shines on “Tragic Magic”, a lilting hard-bop number penned in honor of late pianist Tommy Flanagan, and contributes a composition of his own, the smoky “Blues on Stratford Road”, which evolves into a relaxed if familiar setting.

In turn, the freshly penned title track is a gospel-infused ballad that reflects Barron’s refined pianism and melodic sensibility. Beyond This Place marks a strong return for Barron, characterized by stimulating conversational exchanges and masterful musicianship.

Kenny Baron, piano
Immanuel Wilkins, alto saxophone
Steve Nelson, vibraphone
Kiyoshi Kitagawa, double bass
Jonhathan Blake, drums

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