Cellologue Simone Drescher

• Enric Casals (1892 - 1986): Cello Suite in D Minor "Hommage à Pablo Casals" in D Minor:
• 1Casals: Cello Suite in D Minor "Hommage à Pablo Casals" in D Minor: I. Prelude03:58
• 2Casals: Cello Suite in D Minor "Hommage à Pablo Casals" in D Minor: II. Scherzando01:57
• 3Casals: Cello Suite in D Minor "Hommage à Pablo Casals" in D Minor: III. Elegia05:52
• 4Casals: Cello Suite in D Minor "Hommage à Pablo Casals" in D Minor: IV. Finale03:08
• Tigran Mansurian (b. 1939): Capriccio:
• 5Mansurian: Capriccio10:50
• Pēteris Vasks (b. 1946): Grāmata čellam:
• 6Vasks: Grāmata čellam: I. Fortissimo06:33
• 7Vasks: Grāmata čellam: II. Pianissimo07:56
• David Chaillou (b. 1971): L'oiseau:
• 8Chaillou: L'oiseau06:33
• Sulkhan Tsintsadze (1925 - 1991): 5 Pieces on Folk Themes:
• 9Tsintsadze: 5 Pieces on Folk Themes: No. 2, Chonguri01:34
• Pau Casals (1876 - 1973): El cant dels ocells:
• 10Casals: El cant dels ocells03:27
• Total Runtime51:48

Info for Cellologue

The six musical languages that Simone Drescher brings to ‘Cellologue’ on her second album, which is her first solo album, are highly emotional and expressive. The multi-award-winning virtuoso has recorded works that are deeply moving and with which she identifies completely: ‘Cellologue’ is her soul language. The interpreter does not simply perform the music, but lives it with body, soul and mind. Her playing leaves nothing to be desired in terms of intensity and energy, drama, expressiveness and depth, but also, when necessary, lightness and a twinkle in her eye. At the same time, it opens up the sound to silence. It is the silence of everything that cannot be said in words and can only be expressed in music through the silence that the music sometimes creates.

Casal's Suite for solo cello, a romantic homage to his brother Pau/Pablo in Bach's D minor and formally based on his partitas, is characterised by an underlying tragic feeling. Mansurian's Capriccio, which is inspired by Bach's Capriccio in B flat major, is characterised by a lament and then a light farewell motif that ends in silence. In his ‘Book for Cello’, Vasks contrasts the noise and aggression of the world with the attempt ‘to speak about the most important things in life, about love, which are actually “unspeakable”’ (Vasks). The cello is joined, surprisingly, by the cellist's vocalising voice, until both lose themselves in silence at the end. The French composer David Chaillou was inspired by Simone Drescher's interpretation of Vasks' “Grāmata čellam” to compose “L'Oiseau” - and interweaves the melodic line of the cello with the singing of the cellist, who is the dedicatee. The aim of ‘L'Oiseau’ - a premiere recording - is to regain the fluidity of air and breath, to convey the illusion of flight. Tsintsadze's plucked ‘Chonguri’ flies like a dance, while Pau Casal's ‘Song of the Birds’ sings ‘Peace, Peace, Peace’, soaring and heart-rending. The great cellist and discoverer of Bach's cello suites ended his concerts with the Catalan song.

Simone Drescher, cello

Simone Drescher
was born in Herdecke and was still studying with Gotthard Popp at the Robert Schumann Conservatory in Düsseldorf when she was awarded a scholarship by the Studienstiftung des deutschen Volkes (German Academic Scholarship Foundation). She received her diploma from the University of Music Franz Liszt Weimar, where she studied with Wolfgang Emanuel Schmidt, before enrolling at the Hanns Eisler School of Music in Berlin, where she studied under Troels Svane and completed her master’s degree. Her final concert, which would have led to her concert diploma, was scheduled for April 2020 but the event had to be postponed until 2021 on account of the coronavirus pandemic. She would have appeared as a soloist with the Berlin Konzerthaus Orchestra in the Berlin Konzerthaus.

During her studies, Simone Drescher also received valuable advice and encouragement from masterclasses with Wolfgang Boettcher, David Geringas, Natalia Gutman, Jens Peter Maintz and Johannes Moser. She was also awarded a scholarship to attend the Orchestra Academy of the Staatskapelle Berlin under Daniel Barenboim.

Simone Drescher has received numerous awards, most recently a special prize at the International Grand Prix Emanuel Feuermann Competition in Berlin. The Deutscher Musikrat (German Music Council) invited her to appear both as a soloist and as a chamber recitalist in its series of concerts promoting young German artists, while the Werner Richard-Dr. Carl Dörken Foundation has sponsored her on a long-term basis, including concerts in its series “Best of NRW”. She was awarded a GWK Young Artist Award in 2012 and since then has been supported by the GWK-Gesellschaft für Westfälische Kulturarbeit. As a young musician she was repeatedly honoured by the Jugend musiziert Federal Competition not only as a violoncellist but also in its categories of flute and accordion. For several years she was involved in Yehudi Menuhin’s Live Music Now and is still concerned to bring music to people who are otherwise prevented from attending concerts. The recipient of a scholarship and of multiple awards from the Deutscher Musikinstrumentenfonds (German Musical Instruments Fund), Simone Drescher has had a violoncello placed at her disposal by the Deutsche Stiftung Musikleben (German Foundation for Musical Life) since 2014. Since 2017 the instrument in question has been a violoncello made by Giovanni Battista Grancino in Milan in around 1700.

Simone Drescher has given recitals and appeared as a soloist with a number of orchestras, including the Baden-Baden Philharmonie, the Karlovy Vary Symphony Orchestra, the Folkwang Chamber Orchestra in Essen and the Cologne Sinfonietta. As a chamber recitalist she has performed in the Berlin Philharmonie, the Berlin Konzerthaus, the Elbphilharmonie and the Laeiszhalle in Hamburg and the Beethoven-Haus in Bonn. Among the festivals where she has frequently been invited to appear are the Heidelberg Spring Festival, the Schleswig-Holstein Music Festival, the “Young Elite” series of the Mecklenburg-Vorpommern Festival, the Usedom Music Festival, the Norfolk Music Festival of Yale University in the United States of America, the Grafenegg Academy and the PODIUM European Music Festival in Esslingen (Germany) and Norway. Among the broadcasting companies with which she has recorded recitals are Deutschlandfunk, WDR West German Radio, Deutsche Welle, BR Bavarian Radio and NDR North German Radio.

Simone Drescher’s repertory includes not only the classics of the violoncello literature but also rarely performed pieces. She additionally commissions new works from promising young composers.

Booklet for Cellologue