Album info

Album-Release:
2024

HRA-Release:
28.06.2024

Album including Album cover Booklet (PDF)

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Formats & Prices

FormatPriceIn CartBuy
FLAC 48 $ 13.20
  • 1Raw03:06
  • 2If You Like It04:14
  • 3In Your Skin04:50
  • 4On the One03:41
  • 5Funky Feet03:06
  • 6Bea's Bag03:23
  • 7Believe Everyday04:37
  • 8Slam Dunk03:28
  • 9Raspberry Jam04:05
  • 10Family04:08
  • 11Walker03:08
  • 12Los Olivos03:11
  • Total Runtime44:57

Info for Raw



The year 1994 marks the birth of the Funk Unit. When I got the offer from Siggi Loch to join his new label ACT, the first thing he did was to change the original band name Unit to Funk Unit. When I asked why, he answered: ”because you play funk” – and right he was. The rest is history. After 30 years of albums, touring and everything connected to it, I thought it would be a great to go somewhere special for our 30th anniversary recording session. I happen to have a dear friend, Johan Lundgren, who used to be my trombone student lightyears ago, and he, together with another friend, Fredrik Thomander, built a fantastic Recording Studio in Palma on the island of Mallorca. Wouldn’t it be a great opportunity for us all, after all these years together, to record the album in a relaxed setting, being able to fully concentrate on our task? To make an album celebrating our 30-year history as a funk band from Sweden.

I presented the idea to my fellow band members, and they all loved it. So did Andreas Brandis, head of the ACT label, my musical home where all my albums have been released since 1994 – twelve of them with Funk Unit, this one included. So now all I had to do was to book the flights, the studio, find accommodation for us all and figure out a way to finance the stay. Oh, there was one more little thing. We all had to write songs for the album. As we met for rehearsals before leaving for the island of Mallorca, no one knew what was written and by whom. I had worked hard in my spare time though, coming in with five songs. So anyway, we started from scratch, listening to each others’ demos and then went on making them sound like us. All of us contributed and it was really great to hear our own compositions come to life.

On landing in Palma on my birthday February 15th at 2 pm, we went straight to the studio to set up and get the sound ready for the recordings to start. We just could not wait. Much of the setup had already been done by the studio crew and a few devoted volunteers and sooner than anyone thought possible, we could start to record, with the amazing sound engineer Shades leading the whole operation. From that moment on, we all knew that this was going to be a special album. Everything fell into place. The vibe in the studio, the sound, how the guys in the band played, the food being served in the breaks, how the coffee on the rooftop tasted and the generous dinners after finishing up for the day. To finance the recordings, we had decided to give in-house concerts the last two evenings after recording. Although it meant even longer days for everyone, it was a wonderful feeling to get the chance to test some of the music we had recorded in front of a live audience sitting almost in our laps. It was so rewarding to get feedback from the people that came to our shows. On top of that, we had a film team lead by our dear friend Dan Sermand documenting the whole thing.

We all left the island February 20th with a sense of deep satisfaction, knowing that we had done our very best and that our best might be more than just good enough. Only one man stayed behind in Palma: Magnum. Aside from being a badass bass player and singer, he is also the one person at my side, who has experienced the whole Funk Unit journey from Live in Stockholm till today. We had decided to mix the album in the same studio and Shades was not available until a week later. I believe Magnum had a good time, both hangin’ and working with master Shades. The result is this album Raw. Our honest and simple way to create handmade music and to make it enjoyable for both body and soul. We are not just a band. We are Nils Landgren Funk Unit.

Nils Landgren, trombone, vocals
Magnum Coltrane Price, bass, vocals
Andy Pfeiler, guitar, vocals
Jonas Wall, tenor saxophone, backing vocals
Petter Bergander, keyboards, backing vocals
Robert Ikiz, drums, backing vocals



Nils Landgren
Born in 1956, Nils Landgren began playing drums at the age of six, before finally discovering the Trombone at age 13. Between 1972 and 1978 Nils studied classical Trombone at the music college in Karlstad with David Maytan , as well as at the University in Arvika with Ingemar Roos.

Meeting the legendary Swedish Folk-Jazz pioneer Bengt-Arne Wallin as well as the fantastic trombonist Eje Thelin persuaded Nils to move from strict classical studies to improvisation and to begin the development of his own approach.

After his graduation Nils moved to Stockholm to work as a professional trombone player. He was soon touring with the most successful Swedish pop star of that time, Björn Skifs’ “Blue Swede”, who got to number 1 in the US pop charts with “Hooked on a feeling”.

In 1981 Thad Jones invited the Swede into his new big band project “Ball of Fire”, to take the lead-Trombone chair. Ever since that time Nils Landgren has been involved in most styles equally: Jazz and Rock, Soul and Hip-Hop, Big Band sessions, and by his own reckoning, hundreds of albums including such internationals stars as ABBA, The Crusaders, Eddie Harris, Bernard “Pretty” Purdie, Wyclef Jean and Herbie Hancock.

He recorded and released his first solo album in 1984 and made another four in Sweden before he was discovered and signed by Siggi Loch and the German label ACT in 1994, who today are the biggest independent Jazz Label in Europe. Since the first release “Live in Stockholm”, he has recorded and released 30 albums as a Leader and another 20 as sideman and/or Producer, all on the ACT Label.

1998 Nils started his long collaboration with the NDR Bigband in Hamburg, first as section Trombonist, then as Artistic Advisor, lasting until 2012.

2001 Nils was appointed Artistic Director for the prestigious Jazzfest Berlin, a position he held for five years with great success.

In 2007, Nils was also appointed Artistic Director for one of two Swedish Proffessional Bigbands, Bohuslän Bigband in Gothenburg, a position he held until 2015 when he decided to move on.

2009 he started the project “Funk for Life” together with his band Funk Unit, a unique collaboration with MSF- Doctors without Borders. This Project aimed at schools in the slums of Nairobi, Kayelitsha in Cape Town and Soweto Johannesburg, presenting them with musical instruments to bring joy and new possibilities to kids of all ages as well as raising funds for MSF and their tremendous work.

This project is a lifetime commitment for Nils and right now he is focusing on helping young men and women who are in need of financial support for their studies, for building a better future for themselves and their families.

2012 marks the start of a new era for the Jazz Baltica Festival, one of Germany’s top festivals ever since it started in 1991 led by founder Rainer Haarmann. Nils has been performing as a musician at this Festival ever since the start and in 2012 he was appointed Artistic Director of the Festival. Since Nils took over, the Festival has been the subject of relocating from Salzau near Kiel to Niendorf to Timmendorfer Strand, both at the Baltic Sea, and he has, together with his staff, managed to make the Festival grow from 6000 visitors in Salzau to 19000 in Timmendorfer Strand.

Nils has been decorated with two medals from King Carl Gustaf in Sweden, “Letteris et Artibus” and “Medaljen för tonkonstens främjande” and with the German “Bundesverdienstkreuz” by Bundespresident Frank Walther Steinmeier. He is a Doctor (h.c.) at the University of Karlstad and Proffessor at the Hochschule für Musik und Theater in Hamburg.

Nils Landgren: exclusive ACT Artist/Redhorn Music AB/Redhorn Talent/Redhorn Records.

Booklet for Raw

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