Tamara Stefanovich
is captivating audiences worldwide with her highly elaborated recital programmes, as chamber musician or soloist with the world’s leading orchestras. Being passionate about a broad repertoire from Bach to the contemporary, she has performed with the Cleveland Orchestra, Chicago Symphony Orchestra, London Symphony and Philharmonic Orchestras, Chamber Orchestra of Europe, Bamberger Symphoniker and Deutsche Kammerphilharmonie Bremen amongst others. Stefanovich performs at the world’s major concert venues including Suntory Hall Tokyo and London’s Royal Albert and Wigmore Halls. She features in international festivals such as La Roque d’Antheron, Salzburger Festspiele and Beethovenfest Bonn. In the current season Stefanovich will perform at Hamburg’s Elbphihlarmonie, London’s Barbican Center, Vienna’s Konzerthaus and Brussel’s Flagey.

The 2018/19 season saw Tamara Stefanovich debut with the hr-Sinfonieorchester, giving the world premiere of Zeynep Gedizliogu’s new piano concerto alongside returns to Stavanger Symphony Orchestra and the Danish National Symphony Orchestra for performances of Hans Abrahamsen’s “Left, alone”. Highlights of the 2019/20 season include performances with Israel Philharmonic Orchestra and Kirill Petrenko, Symphonieorchester des Bayerischen Rundfunks with Pablo Heras-Casado and Philharmonia Orchestra under Karl-Heinz Steffens amongst others.

Recent engagements have included performances with Tokyo Symphony Orchestra, MDR Sinfonieorchester Leipzig, WDR Sinfonieorchester Köln, Chamber Orchestra of Europe and Orquestra Sinfônica do Estado de São Paulo. Stefanovich also undertook an extensive US recital tour marking the 90th birthday of Pierre Boulez garnering exultant reviews.

Fruitful collaboration connects Tamara Stefanovich with composers including Pierre Boulez, George Benjamin, Hans Abrahamsen and György Kurtág. She works with chamber music partners Such as Patricia Kopatchinskaja, Pierre-Laurent Aimard and Matthias Goerne and regularly partners with conductors such as Esa-Pekka Salonen, Vladimir Jurowski and Susanna Mälkki.

Her award-winning discography includes a recording of Kurtág’s “Quasi una Fantasia” and his double concerto with Asko | Schönberg Ensemble and Reinbert de Leeuw/Jean-Guihen Queyras for ECM. She received the Edison Award and her recording of Bartók’s Concerto for two pianos, percussion and orchestra with Pierre-Laurent Aimard and the London Symphony Orchestra under the baton of Pierre Boulez (Deutsche Grammophon) was nominated for a Grammy Award. Following her first solo recording with works by Bach and Bartók Tamara is dedicating her second album “Influences” to works of Ives, Bartók, Messiaen and Bach. Since its release on Pentatone in March 2019 “Influences” has received five star reviews and has been praised by critics.

Tamara regularly leads educational projects at London’s Barbican Centre, Kölner Philharmonie and at Klavier-Festival Ruhr such as the innovative online project of interactive pedagogical analyses Boulez’ “Notations”: www.explorethescore.org. She was co-founder and curator of Portland International Piano’s Festival “The Clearing”. A convinced European she studied in Belgrade, at Curtis Institute and at Colognes Musikhochschule.