Dal barocco al jazz Luca Petrosino & Gianmarco Volpe

• Gian Battista Gervasio (1725 - 1785): Trio Sonata in D Major, Gimo 149 (Arr. for Mandolin & Guitar):
• 1Gervasio: Trio Sonata in D Major, Gimo 149 (Arr. for Mandolin & Guitar): I. Allegro spiritoso assai01:45
• 2Gervasio: Trio Sonata in D Major, Gimo 149 (Arr. for Mandolin & Guitar): II. Larghetto01:36
• 3Gervasio: Trio Sonata in D Major, Gimo 149 (Arr. for Mandolin & Guitar): III. Allegro spiritoso assai02:09
• Francesco Lecce:
• 4Lecce: Concerto in G Major (Arr. for Mandolin & Guitar): I. Allegro04:18
• 5Lecce: Concerto in G Major (Arr. for Mandolin & Guitar): II. Largo04:49
• 6Lecce: Concerto in G Major (Arr. for Mandolin & Guitar): III. Allegro balletto02:53
• Raffaele Calace (1863 - 1934):
• 7Calace: Saltarello, Op. 79 (Arr. for Mandolin & Guitar)03:47
• 8Calace: Rondò, Op. 127 (Version for Mandolin & Guitar)03:46
• Scott Joplin (1868 - 1917):
• 9Joplin: The Entertainer (Arr. for Mandolin & Guitar)03:14
• Erroll Garner (1921 - 1977):
• 10Garner: Misty (Arr. for Mandolin & Guitar)04:55
• Jacob do Bandolim (1918 - 1969):
• 11Bandolim: Bole-Bole (Arr. for Mandolin & Guitar)03:30
• Juventino Maciel:
• 12Maciel: Cadência (Arr. for Mandolin & Guitar)03:54
• Jacaré:
• 13Jacaré: Saudoso cavaquino (Arr. for Mandolin & Guitar)05:33
• Pat Metheny (b. 1954):
• 14Metheny: Sunlight (Arr. for Mandolin & Guitar)05:49
• Total Runtime51:58

Info for Dal barocco al jazz

"LUCA PETROSINO: I still remember that day, when I went to that music store (now it is unfortunately closed), and saw a mandolin. I was looking for some 'ethnic tunes' for my first album as a songwriter and that tiny instrument caught my attention. I ended up buying it and immediately started to study it on my own. Eventually, I got hooked on its musicality and decided to study it at school. After that decision, my world changed surprisingly. My bond with mandolin became stronger and stronger, and the repertory that I had been discovering became more and more interesting and started to provide more and more gigs all over the country. GIANMARCO VOLPE: With his album, I am coming back to my origins: classical music and classical guitar. Retracing baroque music’s geometries, Romantic lyricism, and melodic and rhythmic twists of Brazilian music, has made me explore many new tonal avenues with the guitar. This instrument is always able to reinvent itself and, thanks to its popular feature, find its place within ever-evolving musical styles."

Luca Petrosino, mandolin
Gianmarco Volpe, guitar

Luca Petrosino
The mandolin opened my mind. It introduced me to music that I didn't know before and gave me the chance to express myself in a completely new way. When I strummed it years ago backstage at a concert, I immediately felt at ease and since then it has become my favourite instrument, a source of inspiration for my songs and for improving my playing technique on other instruments.

This album contains no booklet.